Thursday, July 27, 2017

Jared Kushner's Observer Takes Two Cheap Shots At Anti-Trump Rocker Roger Waters - Misses Both Times





Roger Waters U.S. Tour 2017

UPDATE: December 2017. Newsweek published this article JARED KUSHNER FAILED TO DISCLOSE HE LED A FOUNDATION FUNDING ILLEGAL ISRAELI SETTLEMENTS BEFORE U.N. VOTE as rumors swirled that Jared Kushner could be indicted in early 2018 for financial crimes related to his work for the Kushner Company as well as The Trump Organization and Campaign.

UPDATE JANUARY 7, 2018: New York Times: Kushner’s Financial Ties to Israel Deepen Even With Mideast Diplomatic Role

I've been wondering why the website Observer.com (formerly the print newspaper The New York Observer) recently published not one but two hit pieces criticizing Pink Floyd's Roger Waters, currently on a major U.S. tour which features the British rocker and activist's nightly brutal lambasting of the Trump administration.

Rolling Stone: See Roger Waters Emasculate Donald Trump With 'Pigs' at Tour Rehearsal

Could it have something to do with the fact that Jared Kushner, Trump's advisor and son-in-law, owned and published Observer?



Related: New York officials seek to censor September Roger Waters concert

Related: Roger Waters Accuses Radiohead of Supporting Israeli Government in New RT Interview

When Observer's Tim Sommer posted a link on Facebook to the newest anti-Waters article in Observer (which he wrote), I challenged him on Observer's link to Kushner and Trump, he responded that "Jared hasn't had anything to do with Observer for ages".

That's simply not true.

Jared allegedly stepped down from the editorial board in January 2017 - and I wouldn't call that "ages" ago. Furthermore, Observer is still owned by the Kushner family, via a family trust, and the "new" publisher is married to one of Jared's sisters.

Not only did Observer officially endorse Trump in the New York primary in April 2016, but it's also worth noting that Jared, along with Ken Kurson (a former Giuliani flunky and then The New York Observer's editor) helped write Trump's 2016 pro-Israel speech to AIPAC, which was credited with securing major Jewish-American support for Trump.

Pigs (Three Different Kinds) - Trump Era version

Here's Tim's article:




Tim's article criticizes Roger Waters for his anti-Trump rhetoric in concert, condemning it as empty posturing and "grandstanding". To Tim, Roger is just an old, rich, out-of-touch liberal, spouting off about politics to look cool, but not even providing voter registration booths to affect real change. 

He states he would like to urinate on Waters' grave, which sounds very Trumpian to some.

Documentary on the Rise of Trump

Tim is free to state his case against Roger, but it is awfully suspect coming from a Kushner-owned business. It just so happens that Tim's boss also wishes Roger Waters would shut up.

The fact that Observer had published another anti-Waters hit piece earlier in the month really made it seem like overkill. (Although Tim's article doesn't mention the controversy over Roger Waters' anti-Israel activism, there is a link at the bottom of his article to the first article.)

Here's the first article:

It's an unfair and biased piece. Mostly it's about an equally unfair and biased documentary by Ian Hailperin. The documentary attacks Roger Waters' activism on behalf of Palestinians and against the Israeli government, military, and fanatic settlers, who deny Palestinian rights in the present day, as well as blocking a long-term, two-state solution, which would bring peace and justice to both Palestinians and Israelis. 

Roger Waters, both with Pink Floyd and as a solo artist, has never backed off political and social commentary. In recent times, he's become one of the most prominent spokespeople for the BDS (Boycott, Divestment, Sanctions) movement which seeks to change Israeli policy by pressuring Western artists like Radiohead's Thom Yorke to boycott concerts in Israel, the same way artists and athletes boycotted South Africa to isolate it and pressure it to change. I was part of the anti-apartheid movement in the 80's. It worked.


According to Hailperin, "To me, an attack on Israel is an attack against the Jewish people.” That's obviously wrong. One can easily criticize the Israeli government while respecting the Israeli people and Jewish people in general, just as one can (and should) criticize the American and Russian governments, while still respecting the American and Russian people. When we protested South Africa, we were protesting against the South African power structure. We were not against the South African people. We wanted to stand in solidarity with them in their struggle for freedom.


Washington Post: Nassau County legislator seeks to bar Roger Waters concert from county-owned theater, because of Waters’s pro-Israel-boycott views

It's understandable that Jewish people would have strong sentimental feelings about Israel. (Both Hailperin and Kushner are Jewish.) The Jewish people have been victims of many of the most horrible crimes ever committed and we need to "never forget" those crimes. (The Kushner family was directly affected by the Holocaust. Charles' mother escaped a Nazi siege in Poland, but her mother, brother, sister, and other relatives lost their lives to Nazi terror. For more info see here...)(After reading Jared's grandmother's tragic story, I had to wonder what she would think of him working in the White House with the Neo-Nazi S.S. - S. Bannon and S. Gorka.) However, that does not mean that individual Jewish people are eternally immune from criticism, much less institutions like the Israeli government, the Israeli military, and the vicious Israeli settler movement. 
The Kushner family supports the status quo in Israel. Waters and his allies support radical change to bring about a two-state solution and full Palestinian rights.


Roger has been criticized for having a floating pig with a Star of David, and I agree that it should have been absolutely clear he was referring to the State of Israel's flag (a Star of David with a blue and white background) and not the Jewish faith or the Jewish people. He could have also written other things on the pig, such as: "IDF" (the Israeli Army) or "ILS"/"₪" (the Israeli currency), which would have been better signifiers for the Israeli power structure. Even better, why not an image on the pig of the ultimate Israeli pig, corrupt Prime Minister "Bibi" Netanyahu? Any ambiguity on this issue is unacceptable and Waters, to his credit, made changes to the show in response to such concerns.


and also...


and while you're at it...


Jared has owned and published Observer since 2006. It was allegedly a $10 million "graduation gift" from his father, disgraced New Jersey real estate developer and Democratic Party powerbroker Charles Kushner. 

If you think people like the Trumps and Kushners, and especially Ivanka and Jared, are such special, sophisticated people, consider that Charles hired a prostitute to seduce his brother-in-law and sent a videotape of the encounter to his own sister, after relations soured with the brother-in-law, a former business partner.

                                                                         Roger Waters on CNN, July 2017

The lead prosecutor in the case against Charles (for witness tampering, tax fraud, and illegal campaign contributions) was none other then current New Jersey Governor (then U.S. Attorney) Chris Christie. At the time, Christie said this about the case:

"It shows that no matter how rich and powerful you are in this state you will be prosecuted for crimes you commit. This sends a strong message that when you commit the vile and heinous acts he has committed you will be caught and punished".

I wait for the day Mr. Mueller makes a similar speech to Jared and his father-in-law.

Charles Kushner, Jared's Dad, on trial

Indeed, Charles Kushner is one of the richest men I have heard of who actually went to jail for his crimes (he served 14 months in federal prison before being released to a half-way house to finish his two-year term).

That surely got Jared's attention at the time and probably gives him nightmares to this day. 

Of course one of the main reasons Christie went after Charles Kushner is that Charles was a major donor to the Democratic Party and heavily linked to soon-to-be-disgraced Jim McGreevey. (After Jared married Ivanka Trump, he jumped ship to Team GOP... and must have had several very cringe-worthy awkward moments with Christie during the 2016 campaign - which may be the reason Christie was never given a position in the administration despite being a key ally, advisor, and surrogate during the campaign. Charles Kushner, after a lifetime of being a Democrat, gave a large donation to the Trump campaign in 2015.)

The long and twisted tale of Charles Kushner, his dramatic rise and fall, and the deep Shakespearian hatred for his brother and brother-in-law, which directly led to his downfall, is detailed in a fascinating 2009 "New York Magazine" article you can read here...

Daddy buying The New York Observer for Jared was a way to try to rehabilitate the family's reputation and establish Jared in Manhattan as a major player, economically, culturally, and socially.

In April 2016, Observer officially endorsed Trump for the New York Republican primary.

The paper stopped publishing a print edition in November 2016 (the month of the U.S. presidential election), as it seemed Jared would be busier in the immediate future, and became more of a digital enterprise.

In January 2017, with Jared set to enter The White House as a key advisor, it was announced that he would be stepping down from Observer and placing the assets in a "family trust".

This is a dodge, also used by Trump himself, very different from traditional "blind trusts" that other politicians have used.

In a blind trust, usually the assets of a politician are sold and new investments are managed until the person leaves office. Under the aegis of this "family trust", the asset (Observer) was not sold, and Kushner's family members are beneficiaries of the trust (although Kushner says he, his wife Ivanka, and their children are not currently beneficiaries) so it is in Jared's interest for Observer to succeed. Indeed, the new publisher, Joseph Meyer, is married to Jared's sister, Nicole Kushner Meyer, the same sister who recently got in trouble boasting about her connection to Jared and The White House to potential Chinese investors in a Kushner project.


Jared and his sister Nicole

Roger Waters, Jim James, Neil Young Sing Bob Dylan's "Forever Young" at Bridge School 2016

UPDATE: Tim has communicated to me that he had absolutely no discussion with Jared Kushner about this article or any other article and I take him at his word. I still disagree with what he said, and suggested he include a disclaimer (in the interest of full disclosure, stating that Observer is published by the Kushners) on all "political" articles. Of course, I think it would be best if he completely cuts the cord with Kushner and Observer altogether. As long as he is connected with Observer, any criticism of Trump/Kushner critics, and any lauding of Trump/Kushner allies, will be suspect.

I can believe that Jared was "hands off" at Observer, especially as he got more involved in the presidential campaign. I worked for a newspaper in Mexico which had a similar family in charge and they were definitely hand off... unless it was about publishing something harmful to their family, friends, or political allies. That's reality. (I tried to speak to The Boss one time at a company Christmas party and he didn't respond at all, just looked at me as if to say, "Don't you know you're not supposed to talk to me?"... We couldn't ride the elevators the same time as he or his  family, always accompanied by security, always fearful of kidnapping. After seeing a story killed from The New York Times which implicated some of the publisher's friends in possible corruption, and an incident where a co-worker was fired and escorted from the building on a whim, I walked out and never went back.)

If you work for Satan and then criticize an anti-Satanic artist, even if it is for different, better, or cooler reasons than Satan criticizes said artist, the fact is you work for Satan and you are helping Satan marginalize the critical artist, and I think it's ok for me to call you out on that.




Through the 70's, I listened to Pink Floyd's Dark Side Of The Moon, Wish You Were Here, and Animals extensively. My local radio station WSAN in Allentown, PA. played them all the time. 

When Pink Floyd's "The Wall" came out in 1979, I was more interested in The Clash, Patti Smith, and The Dead Boys, and didn't come back to listening to Pink Floyd until I met some Mexican hippies while living in Mexico City in the 90's who were WAY into Pink Floyd. They introduced me to early Pink Floyd (enthusiastic shout out here to Syd Barrett's early work with Pink Floyd and his subsequent solo stuff!) and Roger Waters' solo albums, which I had never heard before.  "Pros and Cons of Hitchhiking" and especially the amazing "Amused To Death" are great, and I enjoyed seeing him perform Pink Floyd classics and some solo stuff at Madison Square Garden in 2000. I also saw him last year at the (sadly final) Bridge School Benefit with Neil Young in Northern California.





I like Roger's new album too, and am so glad to see him out there fighting Trump and Israeli apartheid.



I remember being into punk rock in 1980 and laughing at the boring classic rockers but I later came to appreciate them again (and lately listen to a lot more music from 1927 - 1977 than 1977 - 2017).

It might be easy or tempting to put down Roger Waters, Bono, or Green Day's Billie Joe as people more interested in talking about politics to look cool than actually doing something, but I know for a fact that all three of these people have done countless things to help people, not all of them well-publicized. There are right-wing artists who should be criticized. Why criticize anti-Trump artists instead?

Bono is low hanging-fruit at best, and I haven't been a fan since shortly after seeing him perform at the US Festival in 1983 (they were good there when they were young and hungry and not yet full of themselves). But many of us appreciated the gesture when he came to the Beastie Boys benefit show in NYC right after 9/11 and sang (unannounced) with Moby and Michael Stipe.

And who didn't love Billie Joe trashing Trump and leading the crowd in a chant of "NO TRUMP! NO KKK! NO FASCIST USA!"

We need our artists to speak out now more than ever. 

I'm glad Roger Waters speaks out and hopes he continues to do so. He deserves our support, not our criticism. We should focus our criticism instead on Trump, Kushner, and others who make the world a worse place, not the artist who dream of a better dream. 

First the dream, then the work, then the change...



Sunday, July 23, 2017

Riz Ahmed Is One Of The Best Rappers AND Best Actors Around... Trailer For His New Film "UNA"



Playlist July 2017



Odetta My Eyes Have Seen/The Tin Angel/At The Gate Of Horn (2 CD)

Lead Belly American Epic

The Carter Family American Epic

Laura Nyro More Than A New Discovery and Eli And The Thirteenth Confession


Fairport Convention Heyday: The BBC Radio Sessions 1968-69 


Father John Misty Pure Comedy

Bonnie "Prince" Billy Best Troubador

Barbara Dane & The Chambers Brothers Barbara Dane & The Chambers Brothers

Henry Thomas Texas Worried Blues: Complete Recorded Works (1927 - 1929)


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Odetta is awesome. I was lucky enough to see one of her last shows. Her music is eternal. This is a nice little collection.

The American Epic documentary on Early American Music on PBS is great. Check it out here... There is also a book and some CD's. The selections of Carter Family and Lead Belly classics are fantastic.

Listening to the first two Laura Nyro albums. No particular reason. I've liked her for a while and I guess it's time for a deep dive into her catalog.

Heyday is a gem - Sandy Denny, Richard Thompson, and Iain Matthews of British folk rockers Fairport Convention record several cool covers for John Peel back in the day, including ones by Gene Clark and Richard Fariña. Great!

Bonnie "Prince" Billy's tribute to the late Merle Haggard is very good, even if you don't know Haggard's material.

Barbara Dane, currently celebrating her 90th birthday with a series of concerts, is one of our finest singers and really shines here with The Chambers Brothers in this 1966 classic.

Henry Thomas: His music will make you happy. Wikipedia explains it so much better than I can... Henry Thomas (1874-19??) was an African-American (pre-World War II) country blues singer. His legacy has been sustained by four songs. "Fishin' Blues" was covered by Taj Mahal and The Lovin' Spoonful. "Bull Doze Blues" was recorded by Canned Heat with new lyrics, retitled "Goin' Up The Country" feat in the Woodstock movie/soundtrack and countless TV commercials. "Don't Ease Me In" (AKA "Don't Leave Me Here") was covered by the Grateful Dead on their album Go to Heaven; and "Honey Won't You Allow Me One More Chance" was covered by Bob Dylan (as "Honey Just Allow Me One More Chance") on The Freewheelin' Bob Dylan. Thomas was born in Big Sandy, Texas. He began his musical career as an itinerant songster (minstrel), and recorded twenty-three sides for Vocalion Records between 1927 and 1929. Thomas accompanied himself on guitar and on quills, a folk instrument fabricated from cane reeds. The instrument is similar in sound to the zampona, used by musicians in Peru and Bolivia. His springy guitar-playing, probably inspired by banjo-picking styles, implies that he was used to performing for dances. 

Saturday, July 8, 2017

Jared Kushner & The Observer's Cheap Shot At Roger Waters






Photos and videos from Roger Water's current U.S. tour, where he brutally attacks the Trump administration.

Jared Kushner, you may have heard of him, publishes the former newspaper/current website Observer, formerly The New York Observer. Yesterday they published a hit piece by Paul Miller.

You can read "The Observer" article here...


It's an unfair and biased piece. Mostly it's about an equally unfair and biased documentary by Ian Hailperin. The documentary attacks Roger Waters' activism on behalf of Palestinians and against the Israeli government, military, and fanatic settlers, who deny Palestinian rights in the present day, as well as blocking a long-term, two-state solution, which would bring peace and justice to both Palestinians and Israelis. 


Roger Waters, both with Pink Floyd and as a solo artist, has never backed off political and social commentary. In recent times, he's become one of the most prominent spokespeople for the BDS (Boycott, Divestment, Sanctions) movement which seeks to change Israeli policy by pressuring Western artists like Radiohead to boycott concerts in Israel, the same way artists and athletes boycotted South Africa to isolate it and pressure it to change.


According to Hailperin, "To me, an attack on Israel is an attack against the Jewish people.” That's obviously wrong. One can easily criticize the Israeli government while loving the Israeli people and Jewish people in general, just as one can (and should) criticize the American and Russian governments, while still loving the American and Russian people.

It's understandable that Jewish people would have sentimental feelings about Israel. (Both Hailperin and Kushner are Jewish.) The Jewish people have been victims of many of the most horrible crimes ever committed and we all need to "never forget" those crimes. However, that does not mean that individual Jewish people are eternally immune from criticism, much less Jewish institutions like the Israeli government, military, and settler movement. 
The Kushner family supports the status quo in Israel. Waters supports radical change to accommodate Palestinian rights. (Jared, along with Observer's Ken Kurson, wrote Trump's 2016 pro-Israel speech to AIPAC which was credited with securing Jewish-American support for Trump.)

It is embarrassing and dishonest to immediately accuse any critic of Israel of being hateful and anti-Jewish. Many people have multiple loyalties in their lives and might have strong feelings about being Irish, being Queer, being a Democrat, but I think many people who have various loyalties are capable of being critical of the group or cause they identify with. Many Jews and Israelis support the peace process and a two-state solution. Other Jews and Israelis however, seem incapable of being critical of Israel and also cannot tolerate the criticism of others, immediately accusing Israeli critics of being bigots and practically of retroactively supporting the Holocaust.


Roger Waters not only has the right to criticize Israel, he is RIGHT to criticize Israel. The comparisons to Jim Crow and apartheid are valid. Artists should be encouraged to take stands, not punished for doing so.


Jared Kushner should stand trial for the crimes he committed against our country with Russia to benefit the Kushner and Trump family businesses. For him to launch such attacks at this time is just trying to divert attention from his and his family's crimes.


As for Roger Waters, is Kushner really upset about Israel?

Or is Jared just upset that Roger Waters has also taken on the Trump Crime Family on his current, successful U.S. tour?

New article on second anti-Roger Waters article:
Jared Kushner's Observer Takes Two Cheap Shots At Anti-Trump Rocker Roger Waters - Misses Both Times

Saturday, July 1, 2017

Cool New Video: Neil Young + Promise of the Real "Children of Destiny"



Playlist: Grateful Dead For The 21st Century - Long Strange Trip



Nice to hear Dead & Co. playing live from Chicago last night online.

I'm still not 100% on board for John Mayer (couldn't they get Warren Haynes or someone like that? Seems a closer fit...), but it sounded good.

I watched the new Amazon-produced four-hour Dead documentary Long Strange Trip and it's quite good (I watched in a three sessions - 4 hours straight seems a bit much). I had read the surviving members were nonplussed that there wasn't much in the film post-Jerry, and thought some changes would be made, but the story ends abruptly with Jerry's death. Even though I am not a super-fan, I enjoyed the film, as it provided lots of context for the 60's and San Francisco's Haight-Ashbury, that gave birth to The Dead and so much more. I liked the frequent mentions and shots of The Beats, On The Road, Jack Kerouac, Allen Ginsberg, Ken Kesey, and Neal Cassady... but thought it was unusual that there weren't more shout-outs to inspirations like Reverend Gary Davis, whose Samson and Delilah ("If I Had My Way, I Would Tear This Building Down!...") was a Dead concert staple, and whose Death Don't Have No Mercy is featured prominently in the film and the accompanying soundtrack. Bob Weir even took private lessons with the Rev. Plus there's a great new book out about The Rev called Say No To The Devil.

So, a playlist for this moment:

Long Strange Trip - 2 CD soundtrack + Bonus CD (2017)

Garcia Plays Dylan - 2 CD - Dylan seemed to bring out the best in The Dead, and in Jerry in particular. This collection proves Jerry Garcia to be one of the premier Dylan interpreters of all them.

Dylan & The Dead - from the 1987 Dylan/Dead tour

Day Of The Dead - 2016 Dead tribute by The National, Stephen Malkmus, Bonnie Prince Billy, Kurt Vile, Wilco, Jim James, etc.

Thursday, June 15, 2017

The Guardian: Interview With Steve Earle On His New Album




‘I finally have a reason to get up in the morning’ … Steve Earle.
 ‘I finally have a reason to get up in the morning’ … Steve Earle comes to terms with loss on his new album So You Wanna Be an Outlaw. Photograph: David Levene for the Guardian
Steve Earle has never been so busy. The 62-year-old is a singer-songwriter, actor, playwright, novelist, memoirist, political activist – and we’ve not even got to the heart of the matter yet. “Autism is the centre of my life, apart from recovery. They are the two things that control my life.”
Earle has never been one for beating around the bush. Seven years ago, his then wife, the country star Allison Moorer, gave birth to their son. John Henry is autistic and largely non-verbal. He loves playing the drums, has a passion for water, and is not easily controllable. Earle and Moorer split up five years ago. She was wife number six (he has been married seven times, as he married Lou-Anne Gill, with whom he had the second of his three sons, twice), and probably the love of his life. As for the recovery, there doesn’t appear to be a drug that Earle has not had a problem with – heroin, cocaine, LSD, you name it. He has been clean for 22 years but, as he says, he has to work hard at it.
Earle is one of the great singer-songwriters of the past four decades. He is a master of country, rock and country-rock. His voice is both gruff and tender (Tom Waits meets Hank Williams), his tunes gorgeous (impossible to know where to start, but My Old Friend the Blues is as good a place as any) and his lyrics novelistic.



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Despite the bravado of its title, Earle’s new album, So You Wanna Be an Outlaw, is one of his most tender yet. It is about love and loss and another form of recovery. This Is How it Ends is a duet with country star Miranda Lambert, reminiscent of Dolly Parton and Porter Wagoner in their prime. Its message might be bleak, but the song is uplifting. Three years on from their divorce, you sense he is still coming to terms with separating from Moorer.
Earle looks like an ageing Hells Angel – long straggly grey beard, waistcoat, T-shirt, jeans, tattoos. All that’s missing is the Harley. I’ve never met somebody so Texan. Syllables merge into one and consonants are dispensed with entirely, so the word “centre” becomes “sinner”. Nor have I met somebody with so many stories. “I know a little about a lot,” he says. It’s not quite true. He knows a lot about a lot.
He was with Moorer for eight years – his longest marriage. They lived and toured and gigged together. He would introduce her on stage with the love song he wrote for her, Sparkle and Shine (“My baby sparkle and shine / And I can’t believe she’s mine”). I ask if the songs on the new album are about her. “Some are, some aren’t. They all draw on that relationship. This isn’t the first time I’ve gotten dumped. And I’ve left people too, which has its own set of lows and guilts. This record is more about coming to terms with loss.”
Is he planning on an eighth marriage, and seventh Mrs Earle? He shakes his head. “Erm, no. I dodged a bullet recently.” Long pause. “There are women. But I like sitting where I want to in the movies and when you go to the theatre at the last minute you can get a really good seat if you’re looking for a single. If I go to a baseball game I can stay for the whole thing.” You’re enjoying being single? “I actually am. Being single in New York City doesn’t suck. I’m lonely sometimes, but I’m on the road half the time and that’s pretty lonely anyway.”



He and Moorer moved to New York soon after they got together. They have stayed there because Earle believes that is where John Henry will receive the best schooling. He says it has been a source of conflict with Moorer. “She resents being in New York. She wants to leave New York and thinks I’m trying to control her life. I’m not. I just don’t want John Henry to leave New York.”
Did his son’s autism contribute to their split? “I think it was the straw that broke the camel’s back, but I think she was going to leave me anyway. She traded me in for a younger, skinnier, less talented singer-songwriter.”
It is astonishing that Earle is still alive, never mind producing such great music. In the early 90s he looked as if he was on his way out. After the success of early albums such as Guitar Town and Copperhead Road in the late 1980s, he did not write a song for four years. During that time, he lost virtually everything. Bikes, cars, guitars, jewellery – they all went to feed his habit. “I sold them to buy heroin. I lost everything but my house. The house in Tennessee I still own, though I don’t know how. I guess it’s because I couldn’t figure out how to put it in the car and take it to the pawn shop.” But the house had no electricity and was uninhabitable. “I was homeless essentially for two years, living on the street.” 
He was spending between $500 and $1,000 a day on drugs. “In the end I just gave up on heroin because I wasn’t getting that high so I went on the methadone programme and started smoking cocaine. I hate cocaine, I prefer heroin and opiates, but it was like being a monkey and you just conditioned yourself to push the button. You don’t care whether you get a shot or a banana peel, you just want something to happen to change the way you feel.” In 1994 he was sentenced to a year in jail for weapons and drugs possession, serving 60 days.
Earle says all this seems far away in one way. But in another it doesn’t. He is writing his autobiography so he is having to revisit the darkest days. The memoir-writing is boring, he says – he prefers writing when he doesn’t know what is going to happen. As for recovery, that is a daily battle – yoga and gym every day, the 12-step programme wherever he is in the world.
He says that John Henry has given him a renewed sense of purpose. “I know why I get up in the morning now: to figure out a way to make sure he’s going to be alright when I’m gone. That’s my job. That’s what I do.”



Earle onstage with Allison Moorer in 2011.
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 Sparkle and shine … Earle onstage with Allison Moorer in 2011. Photograph: Tim Mosenfelder/Getty Images

Ideally, he’d like to tour less. But he can’t because that’s how he makes his money. Anyway, he loves being with his band, the Dukes. “I think everybody’s proud of being in this band. It’s like being a Hells Angel. We’re kinda badasses. It’s a really, really fuckin’ good band and the way we tour is hardcore – four shows in a row then a night off at best.” Only one other band member is clean, he says, and the others tend not to socialise with Earle because they find him so dull now he’s sober.
They might find him dull, but in his two decades of sobriety his work has been fascinating. Earle might be better known to some these days through his acting than his music. I tell him I loved him as Walon in The Wire. He smiles. “Thanks. It was a great thing to be part of. That didn’t require any acting: I was playing a redneck recovering addict.” 
In 2011 he published a novel, I’ll Never Get Out of This World Alive, about a doctor who performs illegal abortions and is haunted by the ghost of Hank Williams. His 2005 play Karla was about convicted murderer Karla Faye Tucker, the first woman to be executed in Texas since the Civil War. 
Earle does not so much sympathise with the underdog as with the despised. In 2002 he caused a stink when he recorded a beautiful song called John Walker’s Blues. The controversy wasn’t simply that it was about jailed US Muslim convert and Taliban sympathiser John Walker Lindh, it was that Earle sang in the first person. That’s a brave thing to do, I say. “I guess so. I told Elvis Costello when I’d just got the idea for it and the chorus was ‘la ilaha illa Allah’ and he said: ‘You’re out of your mind, don’t do that’.”
Earle received death threats because of the song. Did people assume he was a Taliban sympathiser? “Some did. But a lot of them were people who never even heard the song because I’m a pretty obscure artist when you look at the big picture.”
Why did he want to write it? “Because I saw a 20-year-old underfed kid Duct-Taped to a board and he was exactly the same age as my oldest son Justin [Justin Townes Earle, now a successful musician in his own right], which means that kid has been in prison now 15 years.” Did he empathise with him? “I empathised with him as a parent.”



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Earle says people have assumed that when he sang in character it was his personal view, even when he was satirising it. He cites Johnny Come Lately, about a blowhard American soldier. “Joe Strummer said ‘You’ve got a lot of balls singing that song in [the UK]’ and he just didn’t understand what that song was about – he thought it was this arrogant claim to have bailed the Brits out. The character believed that, but the character’s not me, and it’s making fun of people who believe that.”
Not that Earle has ever needed encouragement to say what he thinks. A keen Arsenal fan, he pulls a face when I mention I support Manchester City. “I dislike Man City because it is Oasis’s club. Noel Gallagher is the most overrated songwriter in the whole history of pop music. They were perfect for the Brit press because they behaved badly and got all the attention. Blur were really great. That guy Damon Albarn is a real fuckin’ songwriter.”



What does he think of today’s country music? “The best stuff coming out of Nashville is all by women except for Chris Stapleton. He’s great. The guys just wanna sing about getting fucked up. They’re just doing hip-hop for people who are afraid of black people. I like the new Kendrick Lamar record, so I’ll just listen to that.”
As for politics, Earle, a life-long socialist, says vice-president Mike Pence worries him more than Donald Trump. “I don’t think Trump will complete the term. I think he’ll probably quit. Trump really is fascist. If you look at what he’s trying to do ... pulling out of the Paris accord is embarrassing. I feel ashamed of America.” Can he understand why people voted for Trump? “Sure. And maybe that’s one of the things we need to examine from my side because we’re responsible too. The left has lost touch with American people, and it’s time to discuss that.”
When Earle talks politics it is not cynicism that comes through but idealism. Likewise when he talks about the many women in his life. I’ve often wondered whether he’s a rash man who has made a lot of bad decisions in his personal life or an incorrigible romantic. He smiles, and says it’s definitely the latter. He mentions his mother and father. “My parents were married until my father passed away, seven or eight years ago. That’s all it’s about. She was 18, he was 19 when they married.” And he’s simply tried to emulate his parents – seven times and counting. “I am a romantic. Absolutely. Unapologetically. To me politics is about romance. If I thought politics was about the way things are I wouldn’t fucking bother, I wouldn’t read a newspaper, I wouldn’t go out of the house. My involvement in politics is about the way the world should be, not the way the world is.”
 Steve Earle & the Dukes’ So You Wanna Be an Outlaw is out on Warner Bros on 16 June.

Original at The Guardian.com...